Gallery St Clair

🌿✨ I'm thrilled to share my latest piece, "Morning In Islamorada." This 28x22 watercolor painting beautifully encapsulates the serene beauty of the Florida Keys while reminding us of the importance of preserving our natural environments. In this piece, a graceful spoonbill spreads its wings over a sandy path lined with vibrant grasses, set against the backdrop of a vast blue ocean and a pastel-hued sky. As I painted, I aimed to evoke the tranquility of the early morning light and the delicate balance of nature as the spoonbills began their day of fishing. Let this artwork inspire us to protect the breathtaking ecosystems surrounding us. By appreciating and caring for our environment, we can ensure that future generations can witness the same beauty that deeply inspires artists and nature lovers. 🌊🌾💚 I hope "Morning In Islamorada" brings you as much calm and joy as I experienced in its creation! #ArtForTheEarth #NatureConscious #FloridaKeysArt #ProtectOurPla

  I am currently building an art career. This is not my first career; I have years of experience in business. But, I find myself navigating a world that is evolving faster than I ever imagined. The emergence of new technologies has transformed many aspects of society, and art is certainly no exception. In particular, the rise of virtual reality (VR) technology has presented both a challenge and an opportunity for traditional art forms like classical realism, which I hold dear. Through this perspective, I want to share my experiences and thoughts on the intricate dance between classical realism and our modern digital landscape. The Impact of Virtual Reality on My Art The way people experience art has shifted dramatically with the introduction of VR technology. Before venturing into this second career, I cherished the beauty of classical realism, with its focus on technical mastery and the tangible world. However, I soon realized that VR offers immersive, interactive experiences that

When I was in second grade, my teacher sent me to the Principal's office because my classmates were paying me lunch money for portraits I drew of them. Although my teacher admired my artistic abilities and supported my passion, she worried about seven-year-old students going hungry. As I stepped off the school bus at the school that morning, my eyes landed on my mother. She had just kissed my goodbye when I got on the bus, yet here she stood, stoically, arms crossed and lips pressed in a tight line. I sensed that I was in for another of those awkward meetings with the adults who couldn't quite figure me out. My pragmatic mother would try to tame my headstrong nature. At the same time, my father would fiercely defend my spirited passion for life. And amidst it all, a well-intentioned but overwhelmed bureaucrat would attempt to keep everything running smoothly. It was a familiar scene from childhood, and I braced myself for the inevitable clash of opinions and agendas. To the Pri

  As an artist , I find profound inspiration in the works of those who have laid the foundation for modern expression. Claude Monet, a luminary of the Impressionist movement, stands out as a transformative figure whose revolutionary use of color and light has indelibly shaped my understanding of art. His renowned masterpiece "Le bassin aux nymphéas" (1919) serves as a testament to his genius. It embodies his lifelong devotion to capturing the natural beauty surrounding his home and garden in Giverny, France. Claude Monet's Inspiration and Focus Monet's "Le bassin aux nymphéas," which translates to "The Water Lily Pond," is an integral piece within an extensive series of water lily paintings that I often return to for inspiration. What captivates me is the remarkable dedication Monet displayed in painting his garden during the latter years of his life, a time fraught with deteriorating eyesight and ongoing health challenges. These adversities did no

 Shel St Clair has beautifully captured the tranquil beauty of Key Biscayne in two of his remarkable works: "A View of Key Biscayne - 1" and "A View of Key Biscayne - 2." Both paintings offer vibrant portrayals of tropical beach scenes, each radiating warmth and serenity but approached through slightly different artistic lenses. Let's take a closer look at these two captivating pieces. "A View of Key Biscayne - 2" showcases acrylic's versatility and vivid colors as a medium. The painting encapsulates a breathtaking moment, whether a sunset where the sky is alive with rich pinks, yellows, and blues. St Clair's expert gradations create a serene atmosphere that envelops the viewer, allowing them to feel the calm and beauty of the Key Biscayne landscape. The composition is thoughtfully arranged, with a tall palm tree on the left side as a dynamic element and a natural frame for the scene. The gentle sway of the palm tree is exquisitely captured, le

Unknown Artist Cover of the coffin of Tutankhamun 18th Dynasty Gold height 72″ (182.9 cm) Valley of the Kings, Luxor, Egypt   I am one of the world's most recognized and beloved art images, but I am not meant to be art. I was a coffin, a burial vault for the Egyptian Pharaoh, King Tutankhamun. I am the innermost coffin of three, a unique creation shaped like a mummy and made of solid gold, weighing 110.4 kg. I wasn't supposed to be seen by man, and the Egyptian artisans who created me crafted my golden beauty to impress the gods of the afterlife. While I am made of solid gold, I am also inlaid with precious stones, making me a truly exceptional piece.   The tale of the boy King that was mummified and buried inside me captured the world's imagination. Then British Archeologists came looking for me. The British archaeologist Howard Carter found me buried in the Valley of the Kings on the west bank of Luxor in November of 1922. There were three coffins, and I was the