Composer Max Pankau
, Chicago based composer Max
Pankau, born in 1984, is the son of best-selling author Ed Pankau and artist
Shel St Clair. His professional music
career began at 18 when he joined the US Army Band. Assigned to the 76th Army Band, in Mannheim, Germany, Pankau toured Europe playing private
military functions and civilian concerts. While there he gained performance
experience in large ensemble and chamber music and was featured as a solo
artist. In the winter of 2005, he played
at Belgium's national festival for the celebration of the 60th Anniversary of
the Battle of the Bulge.
In Europe he formed relationships
with professional musicians and through them broadened and developed his
musical taste. Pankau studied horn under Andrew Joy, principle horn of WDR Sinfonieorchester, and Peter Arnold, an
international soloist. While he did
compose in this period, his compositions did not yet have the clear direction
of New Music and focused mostly on the blues and jazz. Musical
responsibilities were coupled with military-related duties and he was deployed
to Iraq in support of Operation Iraqi Freedom in January of 2006. Pankau traveled throughout the Middle East
with chamber ensembles performing for service members, ambassadors and
politicians. He also served as an armed
guard in the Al-Faw palace in Baghdad.
He returned to Germany in
December of 2006 and his Army contract expired six months later. In the fall of
2007 he began studying Horn Performance and Composition at DePaul
University. His
Horn teachers included Oto Carillo and Jon Boen both whom he credits as a tremendous influence on him, both
personally and professionally. At DePaul, Pankau played principal horn in
ensembles under Conductors Cliff Colnot and Michael Lewanski.
Pankau added Music Composition as a second major and studied
under Christopher Wendell Jones, Seung-ah
Oh and Kurt
Westerberg. It was the influence of these teachers that
solidified his vision of composition. As
a composer, Max has a wide spectrum of influences; he holds the music of Helmut
Lachenmann, Salvatore Sciarrino and Ken Gaburo in the highest regard. His
own experiment with “musique concrete instrumentale” can be heard in his recent
composition, “Zueinander.” Other composers and artists that he credits as
being influential in forming his musical personality are the late film composer
Henry Mancini, and 20th Century musical satirist Spike Jones.
Pankau has written for numerous
ensembles including the V3nto Brass Trio, IGO Independent Gamers Orchestra, in
Chicago and is currently collaborating with mezzo-soprano Kate McDuffie on a
new work for voice and bass trombone. He also arranged music for the
DePaul tuba studio under the direction of Floyd Cooley and his woodwind
quintet, Aires Tropicales. Max is
currently a Master of Composition student at DePaul and he continues to gig as a professional horn player throughout the
Chicago area.
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